A Piece of Cake

A Piece of Cake

6x6, oil on board

Despite the title...this little piece wasn't necessarily "a piece of cake"...but on some level it was fun to paint.  I did it a couple years ago from an early morning still life on my kitchen table in soft pastels.  I liked it so I tried painting it in oils.  I still prefer the pastel version below.  Eventually I'll know how to mix (and apply) colors better...assuming I stick to experimenting with oils.

Backyard Bouquet

Backyard Bouquet 

12x9, soft pastel

For the past couple years I focused on learning all I could about the use of soft pastels and (for the past twelve months) kept working at landscapes using a traditional realism style.  There are so many great artists (past and present) and I wanted to follow in their footsteps.  So, I tried like heck to temper my use of color over the past year...but I just couldn't achieve what was in my mind's eye.  

I often got bored painting trees, fields, mountains and lakes in realistic colors.  So for the next little while I'll try embracing my weakness for vibrant saturated color.  This style is reminiscent of Fauvism, the Colorists, and reminds me a bit of some of VanGogh's use of over simplification (as in his "Bedroom in Arles") and vibrant use of colors (such as "Starry Night" and "Cafe Terrace at Night"). 

Backyard Bouquet was a gorgeous vase of flowers from my yard sitting next to my favorite oval blue vase sometimes used to hold pens and pencils...all I had to do was add three oranges and I was all set with a colorful still life.  Yum!

Jalapeño Harvest

Jalapeño Harvest

8x5, soft pastel

                                                           
This little painting started out much more abstract...but after fiddling with it, it took a turn towards realistic (which I was trying to avoid).  I'm not sure what to think...so, it's finished (for now). Thank you Stephanie Gerhardt-Matkovich for the inspiration!

Hanging Around

Hanging Around

17x13, soft pastel

This is a larger than usual painting for me and it was a fun one to tackle.  I love the shadows cast from this scarf's fringe and the Western/Southwestern feeling of the piece.  I've been painting as much as I can the past few weeks preparing for two art shows, one at Meadow Lake Village in Meridian the evening of May 4th (open to the public) and the other one is an art show the evening of May 12th in downtown Boise. The location of the Boise event is not to be advertised on social media because it's a "by invitation only" show.  However, if you are in the Boise area and would like an invitation I have a few to distribute (you can contact me by commenting to this post).  It should be an exciting show as 61 artists will be displaying their work.  

Streaming Sunlight

Streaming Sunlight

8x8, soft pastel

            

Early morning sunlight streaming through the window...how do you depict that delicious feeling of filtered light and warmth in a painting?  Well, this was my attempt.  

Desert Color

                         Desert Color

                      8x10, soft pastel

When in Vegas, one must paint cacti.

Be Mine

Be Mine

5x7, soft pastel

Well, a new month begins and after all of those fishing flies I just had to default to a small bouquet of flowers (something a bit more girly).  My favorite composition is one where there's an elevated L shape thing going on...which there is in this one (the table top and the stripe down the right side).  

This is a painting I've been thinking of for a few months...ever since I purchased a couple new kitchen towels.  It's no mistake there's a couple of red stripes running through it...my favorite color.

Be Mine is going to Flying M, a local coffee shop where there's an annual silent auction to benefit the research and cure of AIDS.   If you're in the area, be sure and go check out all the fabulous artwork on display!  There will be quite a variety of works on hand. 

Fly 30 - The Lady Amherst

The Lady Amherst

5x7, soft pastel

Well...today is officially the end of the 30in30 Challenge!!   I'm both relieved and a bit sad.  

There's always a lot of support (especially from family, friends and fellow artists) that really helps boost my confidence and willpower to make it to the end.  So, to anyone out there who may be reading this (I assume someone, somewhere is)...I say thank you for taking the journey with me.  I hope there was a painting or two that you enjoyed seeing during this past month.

Today's painting is the Lady Amherst (tied by Monte Smith) which is an early season Atlantic salmon fly, most commonly tied on large irons.  Even though this gorgeous fly is tied in the classic Ranger style, the Lady Amherst is not what purists consider a "true classic" salmon fly (having been invented  in post-Victorian era Canada in 1925 by George B. Bonbright).  However since it was invented that long ago, it's a classic in my book!

Like me, do you wonder how this fly got it's name? I was thinking it was named after English royalty.  But, I suspect it was because the main body feathers are from the Lady Amherst pheasant.   An absolutely beautiful bird!  

And, now you know...

Fly 29 - Russian Intruder

Russian Intruder

5x7, soft pastel

Once again...I am drawn to blue, teal and green colors of a fly...this time the Russian Intruder.  This fly is a steelhead fly originated by the late Juri Shumakov.  He used a series of cones on plastic tube, tying fur and feathers in between each cone.  This style has long been proven to be successful for steelhead fishing.  

Fly 28 - Double Bead Nymph

Double Bead Nymph

5x7, soft pastel

Did I mention earlier that the Copper John fly pattern is considered a wet fly as well as an attractor?  The weight of the nymph head allows this tiny fly to sink quickly to the bottom (especially with this double beaded version)...where the big fish lay waiting!

This particular nymph was tied by a friend, Clint Shiflet, and given to my husband to try out.  Apparently it's pretty effective...Vic may be tying a few more of these little guys. 

Fly 27 - Copper John - Dive Bomber

Copper John - Dive Bomber

5x7, soft pastel

As I mentioned in an earlier post, the Copper John fly pattern was originally tied by John Barr and has become one of the most popular fly patterns of all time.  This little guy is a key fly to have in one's fly box (assuming you have a fly box).  

The Copper John mimics stoneflies, mayflies, and other sub-aquatic nymphs and can work in rivers and lakes across the world.  The Copper John fly pattern needs no introduction for most fishermen/women, but if you are new to fly fishing and especially new to fly tying, this is a great pattern to know how to tie.  The Copper John can be tied in almost any color or variation of colors and can be tied in hook sizes #8–24.  I call this one Dive Bomber because he looks like he's ready to dive below the surface.

While I am just an artist painting flies...I have to say, I'm really hooked on this one. 

Fly 26 - Beadhead Wooly Bugger

Beadhead Wooly Bugger

5x7, soft pastel

Sometimes the name of a fly alone is reason enough for me to paint it.  This fly's name just makes me smile. A Wooly Bugger is another staple when fishing for trout.  When nothing else seems to work, a Wooly Bugger is a go-to fly especially for spring creek trout.

The addition of a bead head over the years helps the fly head sink lower than the tail portion. This fly mimics the crane fly which is prevalent in many spring creeks.  Fish this fly slowly along the bottom, with short jerks, then let it drift downward again in order to work the fish.  The best time of day for this fly is mid-day after the morning hatches have thinned. 

Fly 25 - Muddler Minnow

Muddler Minnow

5x7, soft pastel

The Muddler Minnow...hmm, what to say about this guy.  Well, he's brown...a bit on the drab side...but a great streamer fly (fished wet) primarily used for trout.  This guy mimics a minnow and it is said that brown trout are especially vulnerable to this fly having been known to charge out of an undercut bank to hit the fly like a freight train.  

It's a good idea to use a floating line with the fly streaming three to four inches under the surface.  If you like to float down a river in a raft, this fly can't be beat!

Fly 23 - Pale Morning Dun Mayfly

Pale Morning Dun Mayfly

5x7, soft pastel

The Pale Morning Dun Mayfly is a commonly used fly during mid-summer months when mayflies are most vulnerable to trout.  The elk hair hackles enables the fly to maintain just the right amount of float allowing the fly to hang just below the surface of the water...which is where many trout take advantage of the short stage of a mayfly from emerger to adult.

Fly 22 - Rock Island Featherwing Streamer

Rock Island Featherwing Streamer

5x7, soft pastel

Monte Smith (www.nwflytyer.wordpress.com) created this version of a featherwing streamer...the Rock Island.  These types of flies originated from the Rangeley Lakes region of Maine.  They are attributed to Carrie G. Stevens (c. 1920s) of Upper Dam, Maine, a self taught commercial fly tyer.  Carrie elevated the eastern streamer from a utilitarian tool to an art form as you can see.  To learn more about this and other types of flies check out Monte's website...he knows much more about flies in general than I'll ever know! 

Fly 21 - Orange Flamethrower

Orange Flamethrower

5x9, soft pastel

I've been painting all the flies in this series in a 5x7 format.  However, this Orange Flamethrower just demanded a longer size to accommodate its gorgeous tail.  

The Flamethrower is another tube style salmon fly, this time with a double hook.  I couldn't find my original source for this particular fly...but I know the guys at The Canadian Tube Fly Company could set you up with the supplies to tie this beauty! 

Fly 20 - Yellow Sally Stonefly

Yellow Sally Stonefly

5x7, soft pastel

The metamorphosis from egg to nymph to fly is fascinating.  As shown below (courtesy of Encyclopedia Brittanica).  While the nymph stage is quite long (12 months)...the change from late stage nymph to a fly taking flight is only 24 hours.  As the emerging fly's wings dry out on the surface of the water, they're pretty suseptable to being snatched up by a hungry fish.  Lucky are those who live long enough to take flight!

Fly 19 - Yellow Sally Stone Fly Nymph

Yellow Sally Stonefly Nymph

5x7, soft pastel

The Yellow Sally Stonefly nymph is a proven success at attracting trout in fast freestone rivers and streams across the U.S., or any other place where stoneflies are found.  This fly should be fished in riffles, pockets and pools.

The most fascinating fact about the stonefly nymph is their intolerance for polluted waters. An abundance of these little guys in a body of water (the actual nymph not the fishing fly) indicates good or excellent water quality.  Which is a good thing for us all!

Fly 16 - Olive Elk Hair Caddis

Olive Elk Hair Caddis

5x7, soft pastel

Day 16 is the beginning of the second half of the month...and I spent a portion of the day reflecting on the first 15 days.  I really wanted to take another stab at the Elk Hair Caddis.  While the first one was accurate, it had a light background and from an artistic viewpoint...it was bland.


I began with different paper which is new to me but a common pastel paper, Sennelier's Pastel Card in Charcoal.  This time, I left the background alone, chose an Olive Elk Hair Caddis and just focused on the fly.  I was quite happy with it until I showed my husband who had a puzzled look on his face since he'd never used a green Elk Hair Caddis...oh well...I know there are some out there somewhere! 

Fly 15 - Joe's Hopper

Joe's Hopper

5x7, soft pastel

Joe's Hopper is a terrestrial type dry fly. This particular fly can also be fished as a wet fly when it's weighted.  While it does look like something out of a bad sci-fi movie, it's supposed to represent a common grasshopper.

Terrestrial fishing flies are land-based creatures (think spiders, beetles, ants and crickets).  My husband even has a few mouse-like flies in his fly box...but I draw the line at painting a mouse fly.  It's bad enough I had a nightmare last night of being buried alive with stone fly nymphs crawling all over me!  

Developed by Art Winnie in the early 1940's. Joe's Hopper was known as the Michigan Hopper but evolved into the name of Joe's Hopper by the 1950's. Why Joe?  Because it was a popular pattern used by Joe Brooks (1901-1972).  Joe was often referred to the Father of Modern Fly Fishing and is actually in the IGFA Fishing Hall of Fame...now, who knew there was a fishing Hall of Fame?   Not me but I suppose my dad would have known.

This fly is fished within riffles (rocky or shallow parts of a stream or river with rough water) or along banks and deep pools during the hottest part of the day.  Think of those hot summer days when the grasshoppers are out bugging the heck out of you.  That's when you use this little guy.

I should point out that during hatching, the Hopper doesn't work well (because there's plenty of good eats for the fish I presume) but when there's a shortage of nymphs...pull this guy out and give him a try!

OK...I know...I'm beginning to sound like a fly fisherman. Don't tell my husband or I'll be drafted soon to get out on the water with him!   I think I'm content to just paint these puppies in the comfort of my studio instead.

Hope you enjoy this one and only terrestrial!